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L’œuvre organique de Morgane Tschiember à la galerie Richard Taittinger

Morgane Tschiember is back in New York with “I Poisoned Myself” at Richard Taittinger Gallery, 154 Ludlow Street on the Lower East Side. A solo exhibition mixing matter, physics, metaphysics and philosophy. Through a dozen works, the Breton artist aims…

Aki Kuroda: Midnight Spaghetti at Richard Taittinger

A tower of laurels is coming to the middle of Times Square

THIS NEW YORK EXHIBITION PORTRAYS WOMEN THROUGH AN INCLUSIVE AND MINDFUL GAZE

Art Exhibition Opens at Consulate General of Greece in New York

Charlotte Abramow à la conquête de New York

À la Richard Taittinger Gallery, une exposition très féministe de Charlotte Abramow

Richard Taittinger Gallery: Charlotte Abramow: Started From The Body

HUNT SLONEM AT 70: BUNNIES (STILL) ON THE BRAIN

For more than five decades artist Hunt Slonem has been painting and reimagining his obsessions: butterflies, birds, bunnies, and portraits of Abraham Lincoln, whom he refers to as his Warhol Marilyn.

The Warhol reference is no fluke. Repetition plays a huge role in his work—and excess and extravagance define his life and art—both he and his brother Jeffrey were frequent habitués of Andy Warhol’s legendary Factory in the 1970s. But unlike Warhol, who famously declared his art to be a mass-produced commodity, Slonem does it all with his own two hands.

In addition to painting multiples of his signature motifs, he sculpts, makes prints, does watercolors, creates installations and collects antique furniture and historic homes—seven of them to be exact: four mansions and three plantations (perhaps too much “Gone with the Wind” as a child?). He even owns an armory.

If not for the pandemic, Slonem might be in Latvia, where he has a major exhibition, or Los Angeles, for the installation of his 700-square foot bunny mural—or perhaps he would be visiting one of his three mansions in Louisiana. Instead, he’s cheerfully working away in his Brooklyn studio, where not even Covid can rein in his childlike urge to pull yet another rabbit out of a hat.

Each morning, when he enters his 30,000 square-foot studio, he warms up by painting bunnies, his most consistent subject. Rendered in almost childlike contour lines, his happy, colorful rabbits feel as if they hopped right out of “Alice in Wonderland.”

Beaux Arts Magazine April 2021